ENIGMA BAZAAR: TECH SPECS 2022
STAGE:
- 8’ Deep x 16’ Wide x 16” Height; 10-11.5’ vertical clearance (stage deck -> floor)
- Stage is “modular” and breaks apart in 4’x4’ sections (full orientation is carpeted)
- Power = UpStg “Aux 4” 1 x 20 Amp circuit (split 2 black Furman surge strips UpStg L&R)
- A-19 House Right (near sprinkler control valve sign) = 1 x 20 Amp Circuit (use for tube amps, extra fixtures etc)
AUDIO:
Mains – 2 x QSC K12
1000 Watts RMS
75° Conical Coverage
Delays – 2 x QSC K10
1000 Watts RMS
90° Conical Coverage
Delay Time – 6ms/9ft
Subs – 2 x QSC KS212C
1800 Watts RMS (3600 W Peak per Unit)
180° Cardioid (15dB Rear Rejection)
Processing – DBX DriveRack PA2
Full Range 3 Way (Stereo Sub) “#75: EB.3WaywST.Sub” (file name)
GEQ Tune – Details Available
Xover – 100Hz Subs / Mains Band Pass 100Hz – 4kHz / Delays Band Pass 1kHz – 20kHz
FOH Console – Allen & Heath Qu-16 (16 preamp inputs + 2 x TRS)
Alt. Out available
Multi-track available (interface not provided)
Snake – A&H AB168 CAT5e Stage Box (analog backup available)
Monitors – 3 x QSC K10 (isolated mixes)
1 x Mono Mix available (spkr not provided)
2 x Stereo Mixes available (IEM not provided)
Power – House Left & House Right = 1 x 20 Amp Isolated Circuit Each: Furman PL-Pro C per side
Booth = 1 x 20 Amp Isolated Circuit (Furman PL-Pro C) + 2 x 20 Amp Circuits Additional
Mics
2 x Shure sm58
2 x Shure sm57
1 x Shure sm58 w/ Switch
1 x Shure Beta58
3 x Sennheiser e604
1 x Electro Voice ND68
2 x EV ND66 (48v)
1 x Shure 55SH II
1 x Shure Beta58 Wireless HH
1 x Shure BLX H9 Cheek Mic
3 x mic afros
Direct Box
2 x Radial Mono Passive
1 x Radial Stereo Passive
1 x Boss Mono Active
1 x Rapcohorizon XLR -> mini TRS
Stands
5 x tall telescoping boom
2 x short telescoping boom
3 x straight tall
2 x straight short
Cables
20 x 25’ XLR
4 x TS (varied length)
1 x RCA -> TRS
2 x male XLR -> TRS
1 x 3.5mm -> 3.5mm (Apple dongle)
1 x short TS right angle (for DIs)
LIGHTING:
Controller – ENTTEC DMX -> USB Pro MkII
Lightkey Software on MacBook Air (M1 chip, 2020)
Fixtures
Upstage: 2 x Monoprice PAR StageLight (RGBAW-UV)
Upstage: 4 x StageRight Tri-Color LED Bar (on floor)
Wings Upstage: (House Left & House Right) 1 x PAR StageLight
Wings Downstage: (House Left & House Right) 1 x PAR StageLight
Downstage LightBar: 2 x SlimPar Pro H
Downstage LightBar: 2 x SlimPar H6
Downstage LightBar: 2 x Chauvet EVE E-50z (LED spots)
** all static; no movers, no haze
PASSWORDS:
N/A
INVENTORY:
Full Stage Cable Package (stored in square milk crate under booth)
- 3 x IEC Blue Locking Dpin (IEC) for QSC K10 stage monitors
- 3 x Black Tip XLR (for stage outputs only)
- 1 x Black 25’ Edison w/ green tri-tap (for downstage monitors)
- 1 x Black 25’ Edison w/ outlet strip (for A-19 aux. downstage power)
- 1 x Black 15’ Edison
- 1 x Black plywood (for leveling 3’x8’ downstage monitor deck)
- 2 x velcro cable keeps
DRIVE RACK SETTINGS:
File Name: Full Range 3 Way (Stereo Sub) “#75: EB.3WaywST.Sub”
GEQ
| Hz | dB(-/+) | Hz | dB(-/+) | kHz | dB(-/+) | kHz | dB(-/+) |
| 20 | 0 | 160 | -3 | 1 | -2 | 8 | -3 |
| 25 | 0 | 200 | 0 | 1.25 | 0 | 10 | 0 |
| 31.5 | 0 | 250 | -6 | 1.6 | 0 | 12.5 | -3 |
| 40 | 0 | 315 | -4.5 | 2 | -3 | 16 | 0 |
| 50 | 0 | 400 | 0 | 2.5 | -6 | 20 | 0 |
| 63 | -3 | 500 | 0 | 3.15 | -6 | – | – |
| 80 | -4 | 630 | -2 | 4 | -1 | – | – |
| 100 | -6 | 800 | -5 | 5 | -2 | – | – |
| 125 | -2.5 | – | – | 6.3 | -1.5 | – | – |
X-OVER
Highs (2x Delays K10)
HighPass: 1kHz, Buttersworth 24
LowPass: Out
Mids (2x Mains K12)
HighPass: 100Hz, Buttersworth 48
LowPass: 4kHz, Buttersworth 24
Lows (2x Subwoofer KS212c)
HighPass: Out
LowPass: 100Hz, Buttersworth 48